|
 |
|
|
|
|
|
|
CRAVEN MONKEY AND
THE MOUNTAIN OF FURRY |
 |
Lady Monkey |
|
Piper McKenzie Productions |
|
|
BLOOD BROTHERS PRESENTS:
THE NEW GUIGNOL |
 |
Ensemble |
|
Nosedive Productions |
|
|
THE GRANDUNCLE QUADRILOGY:
TALES FROM THE LAND OF ICE |
 |
Ensemble
|
|
Piper McKenzie Productions |
|
|
BLOOD BROTHERS PRESENT:
THE MASTER OF HORROR |
 |
Nona, Paranoiac
|
|
Nosedive Productions
|
|
|
AS YOU LIKE IT |
|
Rosalind |
|
Boomerang Theatre Company |
|
|
COLORFUL WORLD |
|
Karen, Tigress |
|
Nosedive Productions |
|
|
A CHRISTMAS CAROL |
|
Belle |
|
Nosedive Productions |
|
|
THE CROW: FINAL |
|
Razor, Jeliza-Rose |
|
Thirdlows Productions |
|
|
ALL THINGS BEING EQUAL |
|
Queen |
|
Public Theater: 365/365 Day Plays |
|
|
BLOOD BROTHERS PRESENTS PULP |
|
Miss Green, Brianne |
|
Nosedive Productions |
|
|
ANTARCTICA |
|
Winnie |
|
FringeNYC |
|
|
HAMLET |
|
Ophelia |
|
Gemini CollisionWorks |
|
|
TEMPTATION |
|
Marketa |
|
Vaclav Havel Festival |
|
|
THE KUNG FU IMPORTANCE OF BEING EARNEST |
|
Gwendolyn |
|
Brick Theater |
|
|
SEXADELIC CEMETERY** |
|
Star Sparrow |
|
Piper McKenzie Productions |
|
|
ROSENCRANTZ & GUILDENSTERN ARE DEAD |
|
Ophelia |
|
Milk Can Theatre Company |
|
|
A STORY OF KISSELSRITE DURING THE WAR |
|
Relda |
|
Brick Theater |
|
|
MEMOIRS OF MY NERVOUS ILLNESS |
|
Schreber, God's Rays, Sun |
|
Brick Theater |
|
|
THE PERFECT GIRL** |
|
Miss Tweedy |
|
Piper Mckenzie Productions |
|
|
MUSHROOM IN HER HANDS |
|
Alice |
|
Milk Can Theatre Company |
|
|
BIZARRE SCIENCE FANTASY** |
|
Ensemble |
|
Piper McKenzie Productions |
|
|
DEAR VIENNA |
|
Yvette |
|
Vital Theatre Company |
|
|
HELL'S BELLES** |
|
Hell's Belle |
|
Piper Mckenzie Productions |
|
|
IDIOT'S DELIGHT |
|
Beulah |
|
Vital Theatre Company
2004 OOBR Award Winner |
|
|
|
 |
|
|
|
|
WATCHING |
|
Girl (lead) |
|
Bride of Sinister 6
Independent Short |
|
|
REVENGE OF THE PROM |
|
Amy (lead) |
|
Injury to the Eye Productions
Independent Short
|
|
|
ABSCOND VALLEY |
|
Thelma (supporting) |
|
A&RT Productions
Independent Feature |
|
|
 |
|
|
|
|
|
|
DANGEROUS CORNER
|
|
Betty
|
|
Classika Theatre, Washington, DC
|
|
|
WOMEN BEHAVING BADLY |
|
Ensemble |
|
Venus Theatre Co, Washington, DC |
|
|
COUPLA' WHITE CHICKS SITTIN' AROUND TALKING |
|
Maude |
|
Studio Theatre, Blacksburg, VA |
|
|
THE YELLOW BOAT |
|
Ensemble |
|
Studio Theatre, Blacksburg, VA |
|
|
REASON |
|
Monique |
|
Market Theater, Cambridge, MA
Dir: Ping Chong & Michael Rohd |
|
|
 |
|
|
|
|
|
|
BA in Theatre Arts
|
|
Virginia Tech
|
|
|
|
|
Improvisation |
|
Upright Citizens Brigade |
|
|
|
|
Shakespeare |
|
Patty Raun and Bob Leonard |
|
|
|
|
Dance |
|
Jazz & Modern |
|
|
|
|
Commercial |
|
David Cady: Donna DeSeta Casting |
|
|
|
|
Voice Over |
|
Peter Rofe: PDR Voice |
|
|
|
|
Movement |
|
Movement Exploration Lab: Ping Chong
Concordia University, Portland, OR |
|
|
|
|
 |
|
|
|
**Dance/Movement Performance |
|